Exhibition

The application of geometric forms on canvas can vary in size and location, and his compositions, whether symmetrical or asymmetrical, balanced or unbalanced, calm, dynamic or violent, are all linked by a need for constructive, harmonious synthesis.

The initial idea projects him into a variation of forms whose future colors are already relatively present in his mind. The research and juxtaposition of colors that he composes himself must harmonize with the contrasts of geometric forms opposing lines, circles, squares, rectangles, triangles and others.

The black applied at the end of the work gives it depth and contrast.


Note: This text was translated by machine translation software and not by a human translator. It may contain translation errors.